“Addiction is the disease of our age. It is cunning and powerful. It proceeds from our chronic spiritual hunger and is nourished by our focus on getting and spending, and on news and gossip outside ourselves. Everything we need is happening within us. The focus on reports of others is only a distraction from the needs of our own spirit. Addiction grows fat from our chronic quashing of the inner life. We believe the spiritual does not exist because we have made insufficient space for it to manifest in our lives. A self-fulfilling tautology.”
ERICA JONG, Fear of Fifty: A Midlife Memoir, 10, 1994
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- Meet Ritz anytime anywhere and he will impishly tear down the left-overs of ‘sense and sensibility’ in your stock. Though a martial artist himself, he never uses combat skills when his sharp wit, dumbfounding repartee and flabbergasting jokes suffice to knock down the hoi-polloi. Though one might choose to wrestle with him as he charges you with his outrageous jests, it’s always a lost battle. To breathe easy and be safe and sane, it’s advisable not to enter the eerie, cryptic territory of Ritz’s reasonings. Else, there’s no escape from those splits in the stomach and the land of guffaw. Collating both tribal and urban influences, corresponding to what he has experienced, he has been successfully involved in improving urban architecture and imagery. He is stepping forward to seek new challenges and opportunies. Soul-searching, diva-hunting, JeetKuneDo-mastering, forever-trailblazing Ritz is looking ahead to the ever unknown road and all geared up to intensify the industry with his up and coming contemporary art. His acclaimed work is diverse — from oils & acrylics, street murals and set designs to customised cars, denim jackets, skirts, T-shirts and even trainers.
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